Projet Cochon- the Butcher & the Kids

The white blackboard read: Project- “dans le cochon tout est bon” . And so it was.

This week, twenty-four French lycée students between 16-20 years old and their professors M. Franck LAPIERRE and M. Jean Marc BOUILLY allowed three American kitchen-crashers to look over their shoulders as Dominique Chapolard, artisan butcher and pork producer, demonstrated in the expansive  school kitchen that “in the pig, all is good!”

The attentive white-clad chefs-in-training crowded around as M. Chapolard reconstructed the whole pig carcass, piece by piece, organ by organ. Silence reigned as Dominique, our master butcher mentor here at Camont, explained what goes into making good pork from field to table.

Only when he split the skull to reveal the tiny brain did squeamish teenage yelps erupt.  Quickly silenced by Chef Lapierre, he teased them that they see more blood on the horror films they watch. After the initial hour of dissection, as the muscle groups began to resemble familiar meat cuts, this next generation of France’s good cooks began to chop and grind, season and taste, while the scent of Gascony’s prized pork filled the kitchen. A hind leg became a Jambon, a shoulder a Roti de Porc. The large rib cage transformed into ventreche, poitrine and travers. Legs broke down into jarret and pied de porc while the caul fat was washed and leaf lard rendered out before grattons were drained and pressed into a terrine.

This fine piggy day was a part of “Cooking at the Source-Gascony“, a collaboration between Robert Reynold’s Chef’s Studio in Portland, Oregon and my own Kitchen-at-Camont. We spent the morning with our good friend and farmer/butcher Dominique Chapolard as he did a day long demonstration for the students of  the Lycee Jacques-de-Romas in neraby Nerac. For upcoming Duck workshops in the U.S. and France consult our program pages.

Could this be your Perfect Pig on an October morning?

The Agen market is full of surprises on a perfect fall morning.

Today, shopping for quince, cress, and cilantro I ran into a drove of pigs.

Free-range, pasture-raised French pigs.

Like a stage setting, simplicity itself- one knife, a cleaver, a wooden block,

& a smile.

Julien Veyrac

of Tournon d’Agenais

No one was more surprised than me to meet the new butcher boy on the block

and discover some damn good looking charcuterie and fresh pork.

Merci, Julien for taking over the family farm.

See you next Wednesday for your andouillette-

my secret ingredient for an onctuous cassoulet.

Wednesdays- Agen Central Market

Sunday Grasse Matinee- hatching ideas

I love it when I feel I am in the middle of something. It doesn’t happen often being a bit of a “living on the edge” sort of person- in all senses. But when it does, I feel that delicious “a-ha!” moment welling up out of my back brain and jumping out of my mouth onto The Keyboard.

• A-ha! Locavorism is my way of being a lazy bum- what’s growing outside the door? dandelions? rosemary? rosehips?
• A-ha! Organic Gardening is also wonderfully lazy, no schedules to follow for spraying or bottles of poison to sort out by use by date.
• A-ha! Canning & Preserving in small batches is fast and easy. 4 jars of quince here, 5 jars of salsa there; faster than going to the supermarket.
• A-ha! Butchering & Charcuterie making on the farm with artisan French butchers is part of the yearly cycle here.
• a-ha! Farm-to-table does work when you live surrounded by fertile fields in a wealth agriculturally based society. “France” in a word.
• A-ha! Urban farming works as long as you have Wi-Fi and can Google “mysterious chicken diseases”.
• A-ha! The Back-to-the-Land movement I joined in the 70′s on Lopez Island, WA never went away, it just got better music.

So when the I see this big kahuna wave swelling around me,  I’ve been sitting on my long French board for about 20 years, it makes me want to start paddling faster and faster. Catch that wave now! And at last, I can be the #1 Surfer French Farm Queen-Dudette in town.

This week’s wave is all over the web on blogs and news sites. Kim Severson writes an article at the NYT  about  some of the of the problems people are having raising chickens in an urban environment. And today, Alex Williams writes about the new “do-it-yourself butchery” taking place around the country in shops, cooking schools and well as bars. Like preaching to the choir, I want to join in and shout Amen! or Hallelujah! After all, I learn by doing, too. And while I want to encourage and applaud these Good Food neophytes, I want to bang them on the head, too.

Like parents that think Easter chicks are cute- for a week, I imagine those chickens abandoned by someone who found out that a living breathing animal eats, poops and needs attention just like we do.  I think about the wasted meat not cooked from that lovingly raised porker by someone whose stomach was turned by the smell of too much raw meat or the serial killer smell of fresh blood. I know some of that good meat will end up in the garbage uncooked. I know what happens not just because I see it when fresh students and interns show up in France all starry-eyed or because I have years of experience of sheltering the delicate Gourmet-reading gourmand from knowing too ‘much ado about foie gras’, or the ‘truth behind truffles’.   I know what happens because I, too, have been there. And I am willing to admit it.

I’ve learned a lot these two decades of eating France. Yet, I still have a lot to learn.  About Charcuterie- did you know that the age of the pig (minimum 12 months) affects the acid level produced in the meat muscle and thus affecting the quality and curing of the jambons, saucissons and chorizo?  I didn’t either until this summer when Camas D., Jonathon K. and I sat down at teh lunch table with the Brothers Chapolard for a Q&A about their pig farm and artisan charcuterie operation.  About Chickens- after a year with my own layers  (11 hens- 1 rooster) and losing a couple to neighbor dogs (including Bacon the teenage gangsta pack member),  I am soooo glad I have chicken-raising neighbors who coached me through my first crisis (one too many rooster) and told JK and me exactly where to stick the knife. The Coq au Vin was as good as any I have cooked and eaten.

Interested to learn more? Not on the web but live and in person with people who love their food and make it too. It’s easy this winter. Come to France (air fares are looking good, children!) this November (read about it here) or meet me in the North West this New Year 2010 as  I pack my Gascon bags with lots of ideas and tons of experience on making cassoulet, rendering duck fat, confit and natural foie gras with Neal Foley on his Podchef Island and Robert Reynolds at his wonderful Chef’s Studio in Portland.

Now about that wave… let’s keep it swelling. There are a lot of delicious rides ahead.

Piggy Newtons part 2- the larder cookie

How a cook’s mind works. Not recipe development, but a ramble through past experience as it teaches the present.

That perfect  dark gooey figgy filling has been resting a couple days and I have some time between classes and visitors. I am going to figure out how to make those ‘piggy rolls’ that Miles offered me the other day. I’ve had all sorts of ideas on how to make them from baking them like brownies- fig bars, to making a tube like ravioli and filling it, to rolling up a long strip and cutting them in finger lengths when done. In the end, the bar idea won out over being too fidgety. I am an impatient cook.

But first to come up with the a crunchy chewy cookie/pastry to wrap around the filling. (Careful- dangerous segue about to occur) I’ve been thinking about my grandmother Julia all month. She would have been 102 this year. Which means she was about my age now when she came to stay with us that summer that I was 11. She was my own personal Julia- Julia DiPietrantonio  from Portland, Maine.  Over the years, she visited us all the way from Portland to Hawaii, and later to Arizona or Washington. Long trips in those days on prop-driven airplanes and long days on buses. Widowed young,  footloose and fancy free,  she’d come for  a few months, staying long enough to tell us all her stories, and managed to teach me some of her practical magic- cooking.

Sorry Mrs. Child,  but my Julia taught me to cook. I remember the tastes, the smells and her hand-to-hand method of how much flour to egg to make macaroni (it was never called pasta!); always three different kinds of meat to make tomato sauce- beef, pork and a chicken; a favorite Christmas dish was something we called ‘weed soup’ made with chicken and curly endive and served with a big bowl of over-sized eggy croutons, fried in olive oil and dusted with Parmesan cheese. I never wrote any of these ‘recipes’ down. But I cooked them, again and again. Over the years, I learned them by heart, like a song. My grandmother’s voice in my kitchen always.

When Grandma (my cousins called her Nona- odd to our westerner ears) didn’t visit, she still would send boxes of biscotti at Christmas. Long before UPS and overnight delivery, these hefty boxes would arrive some weeks after she had baked the anise scented cookies- pizelles and biscotti. The biscotti were tender and toasted, not hard as a brick, and half were  spiked with cherries, walnuts, and anise seeds- my favorites. Except for the anise seeds. These biscotti were nothing like the rock hard, fat free yuppie imitations that are served in coffee joints and urban bakeries. Julia’s biscotti would first crack under your teeth and then crumble in lardy tenderness. Her secret, lard, was used by everyone then- for pie crusts, cakes and biscuits. I still sing Julia’s biscotti song every Christmas as I make a few batches to give to friends- “a dozen eggs, a pound of lard, a handful of sugar, enough flour to make the dough…”

Yes, a pound of lard.

(Quick return from familial revery) My Piggy Fig Bars are a tribute to the way we stitch a life together… or a recipe. A long ramblin’ song of friends, family and good food. Here, I played on my basic Gateau Basque recipe, a rich fresh egg pastry  then in another piggy nod I used half lard and half butter. I grabbed the wholewheat flour for the nutty toasted tasty I like and flavored it with a splash of  ” Le Secret”, a Gascon… well, secret.  Rolled, patted it, market it with a B and put in a pan and baked in the oven for you and me!

Kate’s Piggy Fig Bars.

ingredients:

• 100 gr lard
• 100 gr butter
• 200 gr sugar
• 300 gr whole wheat flour
• pinch of salt
• 4 whole eggs
• splash of flavoring: vanilla, almond, etc

Cream the fat and sugar together, whisk in the eggs, add flour, salt and flavoring. Mix well into a ball. Cut in half  and pat one half into a brownie pan 9×12″, about 1/4 ” thick.   Spoon a layer of figgy jam filling over the pastry. Then pat out the second half of dough on a pastry sheet, mat or parchment and cover jam filling, making a cookie sandwich. Back in a moderate oven, for 30-35 min. Mine were a little dark on the edges, but still chewy inside. Cut into bars while still warm. Pour glass of milk.  Burn tongue on hot filling. Smile back at Julia. Yikes, I have turned into my grandmother.

Meet the teachers #1- a solo act.

This is the pig that roots in the woods then lives in the barn that eats the grain that becomes the bacon that I bought in the market that came from the house that Jill built.

Jill is really called Marie-Helène but she did indeed plant the corn that she feeds her long-snouted pigs that she takes to the abattoir that she turns into fine traditional charcuterie that she sells at the weekend markets in the Tarn department about 2 hours from here.

Marie-Helene defies the beret-wearing burly butcher stereotype here in France. She is a feminine and soft-but outspoken butcher/pig farmer who singularly raises and processes her own pigs before selling them to a small but loyal group of farmer market goers. She tells me that she sells a relationship as well as the fresh pork and cured meats, one based on trust and confidence in her everyday hard work. Her week is long, like most farmers, but she has learned how to maximize the time spent in the ‘laboratoire‘ to slaughter, cure and pack just enough pork each week to sell out. And she does it alone. Yup! All by herself. single-handed. Alone. She raises, slaughters, butchers and cures two to three pigs a week, every week, all year long. She is my new hero.

The bacon made with these pigs tastes and smells of that earthy farm perfume that distinguishes  ‘small-batch’ farm-raised charcuterie from the sanitized version of pork products that Americans have come to know and love. It only happens when the farmer is the cook and in this case, the butcher and charcutière as well. I call it ‘close-to-the-earth’ gastronomy.

What do you know about pigs and pork? Think again. Think France. Think 5 generations of raising pigs.

This could be your new teacher.

(Fergus Henderson admonished us years ago to ‘hug our butchers’ and today Ed Bruske inspired to me hug my teachers.  Hugs to the garden teachers here at Slow Cook.)

Photography by Eugene Frerichs while at the Kitchen-at-Camont this summer. To see more of her work while in residence here, click here.

Merci!

crowing hens…cluck, cluck, cluck whole hog!

Do you know that hens crow too?

The new red hens are starting to lay their first eggs.  When the commotion in the chicken garden reaches a crescendo, I know there is yet another golden yolked egg waiting in the straw nest. But here in Gascony, even little Pigs crow. So when Judy Witts  and I start crowing this morning, it’s because after 4 years of reporting on all things pork at the Whole Hog Blog we made Saveur Magazine’s best of the web. Cluck, cluck, clucckkkk!

While Judy has been giving online courses to chefs  in making Porchetta, I have been waking up at 4 in the morning (ouch!) to drive charcuterie apprentices to the abattoir, hauling 150-pound half carcasses in the trunk of my Renault Clio back home, and helping them learn the names and cuts of the French Pig from jarret to jambon.  Then we cook, cure & preserve all week until the larder is full, the pantry est plein.

My favorite French ‘pulled pork’ is called escaoudoun in the Gascon patois. Tasted in a hideaway of a cafe in the Landes forest called La Croute du Pin where it was made with the typique Noir de Gascogne pig, I re-created the dish here at Camont with most of the shoulder from Camas’ graduation pig.

Once it cooked in the sweet onion sauce for a two hours, I ladled the sauce pork into large canning jars. When unannounced friends arrive for dinner, I’ll cook some Monalisa potatoes and serve them floating on an island of sweet onions pork, just like Madame did.

Recipe- for  Estouffade de Porc- l’Escaoudoun

• 2 kilos / 4 1/2 lbs. of farm raised pork shoulder, cut into large cubes
• 1 kilo of onions, sliced thinly
• 2 soupspoons of duck fat
• 1 bottle of sweet wine wine (jurancon or cote de gascogne)
• 1/2 bottle madera, sherry or white port
• 1 generous glass of armagnac
• 2 large carrots, peeled and sliced
• a large bouquet garni- lovage, bay leaf, thyme
• sea salt to taste
• freshly ground black pepper, a lot of it!
• a large pick of quatre épice  (ginger, cinnamon, nutmeg, cloves)

The basic recipe is to cook all of the above until the onions have melted, the pork is falling apart and the flavors of the sweet wine mingle with the onion in a caramel-colored sauce.

Cook the onions in duck fat until they start to be translucent.  Add the pork and herbs, season (using only a little salt at this time to allow for reduction of the sauce), pour the wines and armagnac over the meat, cover and cook over a very slow heat for 2 hours or until meat is falling apart and the sauce is thick. Taste to reseason for salt. Serve warm with boiled potatoes.